Craft sculpture stork crystal

26,00  TTC

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  • Crystal stork, unique piece, high quality
  • Handcrafted by craftsmen in the workshop of Lorraine (France)
  • Certificate of authenticity Vessiere Cristaux
  • Height : 16 cm

DELIVERY TIME

European Union : shipping with GLS, the delivery time is about 5 days.
Outside the European Union : shipping with GLS, the delivery time is about one or two weeks, depending of the custom clearance.
You will receive an email from Vessière Cristaux with all the tracking informations. If you have urgent request, you can call us (+33.3.83.75.10.55) or contact Michaël by WhatsApp (+33.6.17.02.12.25).

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With more than 138 years of experience, our export team takes the greatest care to package each order. A damaged product? We will send a new one. A lost parcel? We will send a new one. The shipping cost include an insurance break and lost.

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ADDITIONNAL INFORMATIONS

CRAFT SCULPTURE STORK CRYSTAL : Crystal Storks 24 % lead hand made. Height: 16 cm.

Certificat-authenticit-Vessiere-cristaux


♦ CRYSTAL HISTORY :

In France, factories in the Lorraine has been manufacturing “beaux verres de table, verre de Bohême et cristaux” since their establishment in the early eighteenth century. However, early on, French glasswares consistently were of a lesser quality than those made in the other European glass centers. In an effort to invigorate France’s lackluster domestic glass production, during his tenure as minister of the interior Jean-Antoine Chaptal (1756-1832), a noted chemist, established in 1801 La Société d’Encouragement pour l’Industrie Nationale.

The juried exhibitions sponsored by the society were instrumental in forwarding French advancements in glass chemistry. Among those to whom the society awarded prizes over the years are Jean-François Robert (1838, for his painted opalines) and L.Joseph Macs, cofounder of Clichy (1849, for his innovative boracic glass). Partly as a result of the society’s efforts, French glass could finally compete with and would eventually surpass that of the other Continental glasshouses. In fact, many of the advancements in glass technology recognized by the society would prove essential to the fluorescence of French paperweight manufacturing in mid century.  The beautiful glass work of Baccarat, Saint-Louis, Le Creusot, established a fulcrum for the seemingly oxymoronic vivacity and refinement that would characterize the widely imitated “French School” of glassmaking. The juried international exhibitions held in London in 1851 and 1867 provided a further impetus for manufacturers to produce exceptional and self-consciously novel designs.