29000,00 € TTC
1 in stock (can be ordered)
With the Fantasy garden collection, Mauricio gives life to imaginary flowers; he offers a collection full of emotions and details. This attention to details also highlights the fragility of the nature.
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FANTASY GARDEN ROUND VASE DAUM, The Fantasy Garden collection is part of a common theme created by Mauricio Clavero Kozlowski one year ago. Following the luxuriant Jungle collection, the Bouquet collection launched in September gave way to a world of flowers. The new collection in January 2015 is inspired by this floral burst and makes a dream of flowers come true. With the Fantasy garden collection, Mauricio gives life to imaginary flowers; he offers a collection full of emotions and details. This attention to details also highlights the fragility of the nature.
This collection presents new shapes of vases and wonderful combinations of colors showing that innovation and creativity are definitely driving forces of Daum. The pieces of this collection are very original: they are made of ultraviolet which is specific for changing color according to the light.
Giving a Daum gift is giving colour, light, beauty and rarity as all pieces are by their very essence unique. Pâte de Cristal is a rare and ancient glassmaking technique, which dates back to 5000 BC. Daum rediscovered this long-forgotten technique in 1900 and further developed it in 1968.
The Daum adventure is an extraordinary story of creativity, which, over the decades, has embarked the House on an artistic adventure in permanent renewal. The House of Daum was founded in 1878, and was rapidly riding the artistic wave of the Ecole de Nancy. It opened itself to all the innovative glassmaking techniques of that era, which enable it to reach the peaks of creativity at the sides of its peer, Emile Gallé. Daum was rapidly recognised as an essential milestone in the prodigious adventure of Art Nouveau. The Universal Exhibition of 1900 awarded Daum a Grand Prix and brought it international renown.
Always innovative, Daum had already cloaked electric light with glass, in association with major artists of the period, like Majorelle and Henry Bergé. As of the mid-1920s, attitudes and tastes changed, the wheel of the creative adventure turned and Daum gradually left the shores of Art Nouveau to approach those of the nascent Art Deco movement.
Daum produced pieces in this new style which rank among the most beautiful in the entire Daum collection, with a richness of proposals, an accuracy of design and a sublimation of the materials. Glass took on a mineral, frosted and crystallised aspect. Bevels were arranged in a cubist spirit, planes cut deep into the glass resolutely shook old habits.
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